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No More DIY Musician Stuff!

09/09/2012

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You shouldn't be doing it all yourself! That's right as an artist you should either be in partnership with other music organisations and/or be outsourcing all the stuff that you don't personally want to do. I, personally, am fed up of seeing DIY marketing kits for artists created by people who have no financial literacy. They say "get more fans!," "reach the media" and "get exposure."

Have they ever actually run a campaign for a frontline artist across a continent?

Marketing and PR is the process by which we bring in leads. Leads are what we turn into sales. All the exposure in the world doesn't always equate to profit. They don't teach you that because they don't understand money themselves. If you don't understand personal survival budget, profit and loss projection, cashflow and balance sheet then chances are you don't understand your own spending habits and if you don't know your own spending habits you wont know business and if you don't know business - music business will be even more of a mystery - even if you have an well informed opinion.

You can spend bucket loads of time and therefore money on getting exposure and you might not make a penny. There are plenty of major label artists that this has happened to - guess what? They get shelved - as in they're loss making.

DIY is a cyclical trap unless you understand that it is a stepping stone. Please don't fall into the way of thinking that you have to do it all yourself you don't have to. You shouldn't have to.

I remember when I first started up in business I went to a number of start up network sessions. No one had any budget and as a major label exec I was familiar with the concept of having budget to pay for stuff and also how much time things take to do. Many other networkers attempted to barter services with me all of which I refused because it wasn't a fair trade in terms of my time. I soon decided that to be in business you have to do business with others which means paying for the jobs you need to get done. You see when you get used to the idea of outsourcing you will make the money so that you can outsource. As long as you do everything yourself you will never be in the position to make the money. After all how can you expect people to pay you for your stuff if you don't pay other people for their stuff?

So by all means start DIY we all have to but know that it is temporary. Find suppliers, get quotes and make the money to get out of the DIY trap as fast as possible. If you build that kind of music business around yourself as an artist/entrepreneur I guarantee you will attract better and more partnerships with some great firms. You will get that manager that you really want and you will be able to pay people for their time because after all that is only fair.

Grow your music business enterprise. We need more artist/entrepreneurs. People using their music as a vehicle for enterprise and contribution. A good place to start is by making money to create jobs.

You'll never make a comfortable living from your music or go beyond that if you decide to stay DIY.




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Quality Not Quantity

08/22/2012

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I am reviewing a section of my book "The Fan Experience" and a sentence in there prompted a memory about a project I worked on a few years ago and a lesson around the concept of "quality not quantity."

As a consultant specialising in music digital marketing and PR I found myself working on a project where the client decided to use software more commonly know as "bots" to boost his artist's Facebook and Twitter numbers. This was against my clear and firm recommendations. However, this client went ahead with this cheat of a tactic anyway.

What he didn't fully understand is that artificially pulled accounts may as well be artificial accounts as the person the account is attached to didn't not personally approve the "like or "follow."

Any following spam in their newsfeed will be ignored, unliked or unfollowed. He also didn't take into account that Facebook users can report this activity as spam. Some accounts get banned from Facebook for these actions.

Neverthless, I was so disgusted at the lack of ethics regarding this practice that I dropped them as a client and distanced myself from the agency providing the service. I should probably mention this agency had met with me and I had been very clear on best practice in this area. The Director there still decided to go ahead and source someone who used this type of software.

Ridiculously, the manager following this artificial campaign decided to pitch the newly added accounts for funding via a crowdfunding platform. Of course, it didn't work out and not much money was raised leaving the manager and the agency to pick up the shortfall in funds.

Put it this way - if someone on the street shoved a flyer into your bag and then asked you for a cheque - would you write it?

No, I didn't think so.

It may feel good to say you have 5000 fans on your Facebook page but when it comes to getting cold hard cash out of those "fans" - you'll find that you're speaking to pixels. And pixels don't have purses to open.

In the end - this particular artist fired her longtime manager and it would seem that not much consistent progress or set up has been made by any of the parties. This is what happens when people spend 20-30 years of their lives looking for a quick fix.

You are better off taking the time to nurture 1000 true fans than cheating your way to 5000 fans and still finding that you can't pay your rent.

Just sayin'



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Another Audio Snippet On Artist Branding and Social Media

03/21/2011

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This is the second part of the interview with Trevor Fisher interviewing me for his forthcoming book "The Popstars Handbook." Check out his blog about the "Outlaw" archetype here:-
http://trevorfisher.com/the-outlaw-archetype

You can find out more about Trevor Fisher at the homepage below:-
http://trevorfisher.com/

Listen to the audio and my thoughts on artist branding and social media at the player below.


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Audio From Today's Book Interviews! Trevor Fisher Interviewing Me!

03/16/2011

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A snip of audio from today's interviews. This is for Trevor Fisher's forthcoming work - "The Pop Star's Handbook." Trevor Fisher is a music business consultant, creator of the Artist Routemap system. The Artist Routemap is the ultimate artist development system. It will give you the information and ability to craft yourself as the ultimate artist. It will enable you to create amazing attraction to your fans and the industry, giving you opportunities like never before. The Artist Routemap is based on a 3 step system that will enable you to know exactly who you are and how to express it in a way that will attract the right attention and attract success. Most people think that this can be achieved by paying for marketing, but the truth is most marketers will tell you they have a nightmare with marketing artists because they haven’t spent time defining who they actually are! (I say "Amen to that!") To find out more please visit:-

http://trevorfisher.com/

Check out the audio at the player below:-

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